Archive for July, 2008

A catch up from Stee – Back home for the Proclaimers gig, and trips to Download & Glasto

July 20, 2008

Rather than let the Dovemeister hog the blog, and with a Sunday evening free, I thought it was about time I threw in my tuppence worth (as my gran used to say when I was a nipper).

Well it’s been pretty hectic the last month or so. The highlight of which being our gig supporting the Proclaimers back in my old home town of Blackpool, which fell between weekends at Download and Glastonbury festivals (just watching unfortunately). It was my first visit to Download, and although the lineup was generally a bit heavier than I’d usually go for, there were still several bands that I wanted to see. Friday was a pretty busy day having just had confirmation of the Proclaimers show, so a few arrangements to sort out before I drove up the Friday evening, getting there in time to see Kiss, which although not quite my bag and a bit before my time, it was still interesting to see their stage show. More of interest were Biffy Clyro and Ash. Unfortunately I was too late for the Subways. Ash were a bit of a surprise addition to the line-up, and perhaps not to many people’s taste as the crowd for them dwindled. Perhaps with the crowd in mind they came out more like thr-Ash than Ash, with a far heavier set than I’d seen them play before. I think they really had turned everything up to 11, smashing through some classics and not disappointing those that had stayed to watch. Fortunately the predicted bottling didn’t happen; that honour was saved for some of the emo bands on Sunday afternoon.

Back from Download and it was time to get down to some serious rehearsing in preparation for our gig with the Proclaimers. Due to the recording and preparation for the album we hadn’t played through the set for several weeks, other than what we’d done in pre-production; during which we’d made a few ‘tweaks’ to some of the tracks. The first run through was a little iffy, but we soon had it together and a set worked out. Having seen Ash tailor their set to a heavier audience, I was wondering if perhaps we should think along the same lines for our gig with the Proclaimers, tailoring the set or sound to more of a pop crowd. After a bit of discussion we decided that we’d go out there and do our usual thing. The set list we decided on was The Chalice, No Easy Target, Tied To Shadows, Dark Ideas, Tama Connection, Perfect Soldier, Had I Known and Old Street.

I contacted friends and family back in Blackpool about the news, and chatted to Robin Duke at the Blackpool Gazette who seemed keen to run a story on us (you can read the online version of the article here – Gazette article link). We were rehearsing down the studio when my mum rang, having just spotted what was almost a full page story on us, and read the article out down the phone; I must admit it looked more impressive in print when we got up to Blackpool. Saturday morning came and with the cars already loaded we made our way up to Blackpool, a route I’ve travelled many times. I arrived at my mums to find I was first one there, with Shane arriving just shortly after. We made ourselves feel at home and made the most of my mums hospitality, knowing it may be a while before we got chance to eat again, by which point Marc and Sonny had turned up too.

We headed off in convoy to the venue, parked up and unloaded. The Proclaimers were still sound-checking so we began to assemble the drum kit stands back stage. Having set-up and sound checked, we made our way to choose ourselves a dressing room. Knowing that everyone from the Beatles to Radiohead had played the Winter Gardens, I wondered who else might have shared that dressing room before us. I nipped out in to the venue to say hello to friends and family who were already out there in the audience, and saw that the venue was already starting to fill up, with the crowd several people deep pushed up against the crash barriers at the front of stage. I was starting to wonder if once we launched in to our opener ‘The Chalice’, not one of our more poppy moments, if they’d all step back. I headed back to the dressing room to chill for a while before we took to the stage.

The gig went well, the only thing that wasn’t quite right was the faulty mic cable, which was popping and banging, and curtailed my movement on stage a bit. It took me a while to realise it was me and not the guitar or bass. In the scheme of things if that’s all there was to worry about then things were cool. We came off stage, had a quick word with the Proclaimers, I forget what was said exactly as I was still buzzing from playing, before going back on to shift the gear off.

The reaction from the crowd was good, and I needn’t have worried about the crowd moving back. It was very much a family crowd, with a mix from teens to older music fans, fairly different to an average DA audience, which is usually a bit younger. Although we’re quite a lot heavier (and louder) than the Proclaimers, the crowd took to us, and there were plenty of people coming up to us afterwards who’d clearly enjoyed our set. We’d had some new flyers printed up, which people got us to sign, and I gather Sonny was even collared for a kiss. It’s a pity the album wasn’t ready as there were quite a few people asking after it, but hopefully they’ll have looked us up online for another listen.

We watched the Proclaimers set, which was well received, especially ‘500 miles’ which had the whole room jumping, before finishing up packing up and loading the cars. With the gear back at my mums we headed out in to town for a few pints, hitting a couple of my old haunts, and then on to a mate’s house for another drink or two, a bit of pool, and some weight lifting by Shane which demonstrated why it is that he hits the drums as hard as he does. :)

Sunday we went in to Blackpool on what must have been the windiest day of the year. Gale force winds were lashing the prom as we took a wander down the front. The rest of the band seemed captivated by the tourist traps, which being a sandgrown’un, I’d pretty much left to the grockles when I lived there. Realising that time was ticking away and we still had a long drive ahead of us we headed back, said my goodbye’s to my family and hit the M55.

The following Thursday and it was off to Glastonbury, leaving the boys behind to work on the guitars for the album. The weather was looking better than last year, but with the tent up, came the first sign of rain. Out came the wellies on Friday, but fortunately it started to clear up, and by Sunday I was even back in a pair of converse. A far cry from the year before. With it possible to walk around the festival site, I took the opportunity to check out some of the other stages (last year I caught a lot of bands, but they were all within the mud soup triangle of the Pyramid, Other and John Peel stages. I also decided to check out some acts that I wouldn’t normally have gone to see and was glad I did, as there was far more to Glastonbury than just another rock show. One of the questions I got asked when I got back was did I see the Amy Winehouse incident, and what did I make of Jay-Z. Well I didn’t watch either of them as they clashed with the Futureheads and Biffy Clyro who were over on the John Peel stage.

Anyway I guess that’ll do for one blog, as it’s become a bit of a monster. (note to self: write smaller more frequent blogs in future)

Cheers,
Stee J.

Diary of an album (Part 4) A meeting with the album cover maestro

July 20, 2008

Picture Above- Stee J and photographer extraordinaire Alistair Murphy discuss artwork ideas for Dear Acetate’s debut album cover.

Sunday 20th July- We had our first meeting with album artwork designer Alistair Murphy in Hemel Hempstead at the Full House. Being a breeding ground for chavs we stood out like a sore thumb with Stee sporting the rock star look! Surprisingly enough we didn’t get started on, that has to be a first for me I must admit.

After a good meal and a pint we discussed the artwork and brainstormed some very interesting ideas with Alistair. I don’t want to give too much away but our album cover will be very striking! If anyone has seen album covers by ‘Pink Floyd’, ‘The Mars Volta’ and Led Zeppelin then you will see that we are planning something amazing. If anyone is interested in checking out some of the greatest album designs ever then check this out, you won’t be disappointed! http://en.wikipedia.org/wiki/Storm_Thorgerson

Enjoy the rest of your weekend

Marc D

Diary of an album (Part 3) studio recording=junk food consumption!

July 16, 2008

Picture above shows the king of junk food! Honestly Sonny should be a fat git by now, damn his metabolism lol

Wednesday 16th July- Today was probably not what you would call the most interesting of days as we recorded Bass guitar all day! But it had to be done, and now 8 hours later we have the bass down for ‘When the Karma Falls’, ‘Tama Connection’ and ‘Coked Up Russians’. Shane had to rush off to get one of his amps fixed so Sonny and myself were left to to lay down some phat bass lines aiiii. One thing today made me realise is how much crap junk food we eat when we’re recording in the studio. Sonny’s diet today consisted of 3 large sausages in buns, 3 barbecue chicken legs, 6 packs of Mcoy’s crisps and a Strawberry McFlurry! Now maybe Sonny is not a good example as he eats junk food for a living but my point is something about recording in the studio triggers the urge to overdose on fat and sugar! I think that after playing the same guitar part 20+ times the sandman comes calling so us recording musicians need to keep ourselves topped up with junk food though most probably don’t get much sleep when they get home!

We will be taking a 2 week break as Shane is going on holiday but just because Shane is away it doesn’t mean the band stops. Stee and myself hope to play an acoustic show or two so we will keep you all informed. If you’re checking out our Myspace or Facebook and have time then please let us know what you think of our music or just stop by to say hi.

Thanks for reading

Marcus Doveicus

Diary of an album (part 2) or How I learned to hate the Edge

July 15, 2008

Tuesday 15th July- We strolled into the studio at about 3 this afternoon to lay the guitar tracks down for ‘Dark Ideas’. Our bassist Sonny was down the studio today after a heavy weekend of gigging and drinking in London lol. Immediately Shane went for all of the old vintage effects pedals hooked them all up and made my guitar sound like something out of ‘Doctor Who’s’ worst nightmare! This tracks got a pretty cool E-bow part on it thats got quite an interesting sound and for those who don’t know what an E-Bow is check this out http://www.ebow.com/

In the end we got a cool delay sound for the verse section using what is probably the coolest peadal in the known universe the ‘Electro Harmonix’ memory man. When most people think of delay one artist always comes into their minds U2! This track is nothing like U2 believe me as I am not a fan of The Edge and his one note wonder solos! I recommend checking out Bill Baileys DVD ‘Part Troll’ to see what I mean. Is their a clip on Youtube? http://www.youtube.com/watch?v=8EDuK46ZqFM

Below possibly the greatest guitar pedal ever! This little beauty is all over our album and with good reason!

I was in a music shop a couple of years back and the guy working in the shop comes up to me and says ‘You’ll never guess who’s coming into the shop this week the Edge from U2′ to which I replied ‘I hate the ‘Edge’. The look on the blokes face was priceless! [I remember that Marc, the second I heard the retailer say those words i knew you had to say something - Shane] Anyways I don’t want to turn this into an anti U2 blog because I love ‘Sunday Bloody Sunday’.

Below my best friend the Edge the greatest guitarist in the world I think not

We finished up ‘Dark Ideas at 7:00 after more pedal craziness lol I swear Shane is on a mission to make the trippiest sounds in history which surely is a good thing? This song might need to change live though I don’t want to be dancing on my pedals like ‘Michael Flatley’ when we play gigs, though I might have a mad Irish dancing phase you just never know.

This is me saying thank you for reading and have a great Day/Night

Marc

Diary of an album (part 1)

July 15, 2008

Hello one and all

We have taken a short break from gigging to concentrate on getting our debut album recorded in Shane’s self built studio, Unsigned Studios. All the basic tracking drums, bass and guitar was done a few months back so now we are concentrating on getting the lead vocals and guitar overdubs finished.

Friday 11th July- Marc and Shane recorded the guitars for ‘The Chalice’ using a kick ass Marshall head and cab turned up to 11! For the lead guitar parts of the song a Memory Man vintage delay pedal and a Digitech Whammy wah were used to create an absolute crazy sound! This track will most likely be the 1st track on our debut album and we may well put it out before the album release so keep an eye out.

Saturday 12th July- Marc made a trip down to his dad’s workshop early in the morning to borrow an array of vintage guitar pedals to give the tracks an old school sound. Starting a 10:00am sharp we set up an old Hi-watt head and vintage cab as used by bands such as the ‘Who’ and the ‘Beatles’ to get a powerful sound. The track we worked on was ‘Tied to Shadows’ and this is one of our slower songs, though definitely not a ballad lol. Having tried a combination of different settings we changed over from the Hi-Watt to a Marshall JCM 900 stack with a Rat distortion pedal, as the Hi-Watt’s distortion sound wasn’t open enough. We wanted to get a very trippy psychedelic sound on this track so opted to use an ‘Electro Harmonix’ small stone pedal. This pedal was used on Nirvana’s Nevermind album, so we knew we were onto a winner. Marc in a captain stupid moment discovered that rulers do not make good drumsticks and after playing an extended lap solo snapped Shane’s ruler for measuring mic positioning (Sorry about that Shane-Marc). After 8 hours of recording guitar and with band members sleeping on the couch we decided to call it a night.

Sunday 13th July- Stee and Shane’s mission for the day was to get the vocals for ‘Tied to Shadows’ finished. An earlier vocal take from a couple of months ago lacked a bit of the energy and character we were looking for; Stee wasn’t really feeling it that day, so we moved on to other tracks instead. Shane had an early start and was busy editing away when Stee arrived mid-morning. With the mics in place and the levels set, they went for a take, and things went pretty well. Having experimented a bit with the style of delivery, the vibe was right and the vocal down within a couple of hours, capturing the intensity we’d been hoping for.

Stee was feeling pretty good and was up for going straight on to the vocals for ‘Perfect Soldier’. Shane was convinced Stee had nailed it first take, but we went for a couple more just to be sure. Marc arrived at the studio around 2:30 just in time for Stee’s final take.

With the session ahead of schedule we began re-amping the guitars for ‘Perfect Soldier’. Armed with a new ruler for mic measurement we used an old 60’s vox AC30 to lay down the rhythm guitars, and believe us when we we say it sounds bloody immense! Probably guitar wise the heaviest thing we have recorded to date lol. With only the solo to complete we got quite experimental and hooked up a flanger, phaser and delay pedal to create a very rhythmic solo that we’re pretty damn proud of. We will be back in the studio Tuesday 15th July. In the meantime check out the pictures below. We will upload more in the next few days.

Thanks for reading

Dear Acetate (Stee, Marc, Sonny and Shane)

Videos from our support slot with the Proclaimers in Blackpool

July 6, 2008

Heres a video of our song ‘Perfect Soldier’ live from the ‘Blackpool Winter Gardens’ June 2008

If you enjoy this video there are more at:

www.myspace.com/dearacetate and check out our videos page

Or

http://youtube.com/dearacetate

Enjoy

DA